Comments on: Overtone Series http://summit2v1.com/blog/2006/06/23/overtone-series/ The Summit 2V1 Band's Blog Sun, 05 Feb 2012 08:13:35 +0000 http://wordpress.org/?v=2.3.3 By: brad http://summit2v1.com/blog/2006/06/23/overtone-series/#comment-5 brad Tue, 27 Jun 2006 19:35:22 +0000 http://summit2v1.com/blog/2006/06/23/overtone-series/#comment-5 Daniel, I enjoyed your article about the 12-note scale. I didn’t have plans to write about the ratios, but it is a good idea, so let me know if you do. ;) Brad Daniel,

I enjoyed your article about the 12-note scale. I didn’t have plans to write about the ratios, but it is a good idea, so let me know if you do. ;)

Brad

]]> By: Daniel McLaury http://summit2v1.com/blog/2006/06/23/overtone-series/#comment-4 Daniel McLaury Tue, 27 Jun 2006 19:08:19 +0000 http://summit2v1.com/blog/2006/06/23/overtone-series/#comment-4 I have some more in-depth information about the reasoning behind the equal-tempered scale at: http://mclaury.blogspot.com/2006/06/why-are-there-twelve-notes-per-octave.html In that article I take the ratios for the perfect fifth and fourth and major and minor third as given, but they are of course derived from the overtone series. I was planning on writing up something like that, but if you're gonna cover it, just let me know and I'll just throw up a link to you instead :) I have some more in-depth information about the reasoning behind the equal-tempered scale at:

http://mclaury.blogspot.com/2006/06/why-are-there-twelve-notes-per-octave.html

In that article I take the ratios for the perfect fifth and fourth and major and minor third as given, but they are of course derived from the overtone series. I was planning on writing up something like that, but if you’re gonna cover it, just let me know and I’ll just throw up a link to you instead :)

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